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The Synth-Pop Duo's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond at Leeds during 1977

Dave Ball, a key member of the innovative 1980s synth-pop band Soft Cell, has died at the age of 66.

Together with singer Marc Almond, the duo scored a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record their initial full-length release is considered a classic of synth-pop.

He subsequently formed the innovative electronic act The Grid, who secured chart success with 1994's the hit Swamp Thing.

Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

During that show, Ball performed in a mobility chair, as he had for the previous couple of years, after a spate of ill-health.

"I ended up injure myself quite a bit," he commented in a recent interview. "I broke lower vertebrae in my spine and fractured about multiple ribs and broke my wrist."

Following catching a lung infection and suffering from blood poisoning, he was placed in an induced coma and stayed in hospital for seven months.

However, he had been in "high spirits emotionally" over the warmer months, as he was developing a fresh record with Almond, called Danceteria, which is set for release in the coming year.

"He was concentrated and so happy with the new album that we literally finished only a short time ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was all set to be such an uplifting year for him, and I find comfort from the knowledge that he heard the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond described his collaborator as "a wonderfully brilliant musical genius", stating: "He was the heart and soul of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an immense aspect of my existence and for the songs you created with me. I wouldn't be where I am without you."

Richard Norris from The Grid, shared his condolences, remembering Ball's "endless laughter" and "unwavering friendship".

"Forming a duo with someone is distinct from joining a group, the connection is incredibly close," he added.
"That's how it was with us. We experienced so many remarkable, incredible, life-affirming moments as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Born into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was 18 months of age.

He grew up in the seaside town with adoptive parents his caregivers, who changed his given name from Paul to David, together with his sibling his sister, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying art. Fuelled by a shared love of a music genre, they formed Soft Cell the same year, and quickly produced an EP.

Musical Partnership

The pair were an distinctive pairing: Ball was the reserved musician, bent over his keyboard, while Almond was a charismatic performer, all glitter and makeup; but they attained a rare musical alchemy.

Ball had cultivated a fascination with synthesizers after watching Kraftwerk appear on a television program Tomorrow's World, and began to marry dark electronica to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second most popular song of 1981, selling 21 million units worldwide. Alongside hits by Gary Numan, Human League and Ultravox, it contributed to paved the path for the synth-pop sound of the 1980s.

The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which produced two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were working on new material until just before Ball's passing

Career Highlights

Fame had its benefits. "I enjoyed being able to purchase my initial property, having money and travelling, which might seem like a beauty queen," Ball not long ago shared with a publication.

But it also presented challenges. "Newfound wealth meant we could afford substances to relieve the monotony" of media interviews and television shows, Ball explained.

"I realize that's a cliché, but it's a truism for a valid cause, because it applies for so many bands."

Amidst the hedonistic lifestyle, the pair were also growing distant, but they succeeded to create a follow-up classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They put out another LP, their 1984 release This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond proceeded to have a prosperous individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with melodic sounds over a enduring collaboration.

Later Work and Comebacks

Soft Cell came back together in the early 2000s, releasing the charting record Cruelty Without Beauty.

Following a further hiatus, they returned in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on 30 September, that year.

However, they stayed together, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately characterized the duo's new album as a tribute to the NYC nightlife they visited while making their first two albums.

He noted that his period in medical care had shaped the group's music.

"I had unusual memories when I was in and out of the hospital because I was on pain medication," he told a music magazine.
"The new songs are a electronic representation of the noises in my mind from that time.
"In parallel, it's about the times me and Marc got up to in the 80s."

The last versions were completed only days before Ball died. It is scheduled for release in the spring of 2026.

KC
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